06122017

 

06122017

 

name of dream: sultry swede

 

was on the last but one leg of a european tour

 

not sure if i was alone or not

 

after enquiring at the ticket office about train times was told the ticket had to be obtained from a representative of the swedish government and was given the address

 

i got to the address but it didn't look at all like it was anything official, anyway it was the right address

 

don't remember ringing a bell or knocking on the two and a half metre high glass doors, perhaps there was someone monitoring a camera which showed the entrance

 

somebody, don't remember if it was a female or a male, came through two other smoked-glass swing doors a metre or two from where i was standing on the outside of the building, opened the front doors and beckoned me in

 

as i was walking through the two inner-doors the perspective or rather the angle of view in the dream went from a straight-ahead view to a down angle view

 

the first thing i saw was the shoes, and particularly the ankle-strapping of the shoes, on what was obviously the legs of a woman

 

slowly, deliberately so, the view began to move up her legs and then showed her crossed legs and then up to the split in her dress which showed about a third of her thighs

 

the scene then changed to her face

 

she was wearing a cat-mask but it didn't have whiskers or a smile/grin

 

the mask covered most of the front and side of her face, i think the hollow of her cheeks were showing, her forehead was showing and her eyes were sparkling with life

 

the dream ended

 

addenda

 

the time-tense for this dream is an and or of 1, 2, 3, 4, 7

 

qod 3.5

 

qos 3.7

 

p/o ?

 

pde's

 

had thought about the lover and women, among dozens of other things, throughout the day

 

notes 1

 

got to thinking...

 

which part of the brain/mind presents these images/scenes and why did the old noodle serve up a view/perspective/angle of a women's legs that was straight out of a hollywood film that was, blatantly, meant to seduce ?

 

the long, drawn-out up-the-legs sequence didn't stir any emotions especially, the eyes were much more captivating

 

so why did the dream emphasise these characteristics of the woman ?

 

after several minutes of deliberation, the obvious answer presented itself

 

it was you-know-who producing and presenting her/his self

 

she/he, who you dare not speak of in public, is having fun with us

 

the manly-shape is the first shape with eternal qualities; it is however well past its sell-by date

 

the really difficult scenarios have been played out

 

the worst of the suffering for both her/him, and us is now, and forever, behind us

 

you-know-who is gearing up for the good times when death is no more and all that's left for us to do is to love in a fun-filled way

 

i first became aware of her/his playful nature when Cherub was presented a couple of years ago

 

the writer can still feel the lover's presence in that mini-movie clip now and it has been asserting itself, little by little, over the years

 

yeah, i know, it will be another five thousand million years before she/he's with us but when you're enjoying life you know how quickly time passes five

 

also we have to remember that for the lover all-time is part of her/his make-up

 

thousand million years in neither here nor there

 

to her/him it is but the Blink of an Eye

 

 

utility